Review: Wonder Woman 1984 (2020)

Maybe I’m in the minority here, but I actually enjoyed Wonder Woman 1984, and I feel like people are being way too harsh on the sequel to the hit that made Israeli actress Gal Gadot a star. Sure, it’s a bit convoluted and probably too long — I don’t mind longer movies if the runtime is warranted — but I thought that it was better than almost everyone has been saying.

Review: The Abyss (1989)

I wasn’t originally planning to watch James Cameron’s The Abyss when my brother and mother started watching it on Christmas Eve, but because it’s an Oscar winner (for Visual Effects) and features Ed Harris in the leading role, I couldn’t say no. For one, I’m trying to catch up on past Oscar winners (and nominees); also, Harris is continually watchable, even when the film isn’t all that good.

Review: Mulan (2020)

Like other 2020 films, Mulan underwent numerous delays, with its intention to to be released last spring, was then delayed until the fall, at which point it was released only on Disney+ as an approximately $30 rental (in addition to the subscription fee). Then, it was available for all Disney+ subscribers, and I’m glad I didn’t have to pay the extra [rather high] fee to watch it. While it is better than some people are saying, it’s not all that revelatory or mind-blowing.

Review: The Untouchables (1987)

The Untouchables was already on my seemingly never-ending movie queue, as it was an Oscar winner and multiple nominee, but I recently decided to watch it in honor of Sean Connery, who won for Best Supporting Actor and recently passed away. His performance is not only Oscar-worthy but perhaps among the best Oscar-winning supporting actor performances of all time.

Review: Snowpiercer (2013)

I had originally seen Snowpiercer, Korean filmmaker Bong Joon Ho’s first English-language film, a few years ago. But, perhaps I wasn’t paying that much attention before, as I forgot much of what had transpired the second time I watched it (with nearly 100% attention). I’d forgotten how violent and bizarre it was; but, also, I think I appreciated the impressive scope of the filmmaking more this time, especially after having seen Ho’s Oscar-winning masterpiece Parasite.

Review: Project Power (2020)

Project Power is the sort of movie that needs to be seen in theaters, but seeing as nearly all theaters were closed when it was released, it made sense to do so through Netflix. Although, to be fair, despite the film’s expensive special effects and high-watt stars like Jamie Foxx and Joseph Gordon-Levitt, the quality might not have been high enough to warrant a theatrical release.  

Review: Tenet (2020)

Tenet is a very difficult movie to review, perhaps because it’s so darn confusing. It’s the kind of film, like writer/director Christopher Nolan’s previous ones, needs to be viewed multiple times in order to at least have a basic grasp of what is transpiring. His latest, which was the first film I saw in theaters after Regal Cinemas [temporarily] reopened, is his most confounding one yet — in fact, the only one who is 100% sure of what is going on is, more than likely, Nolan himself.