Shawn Levy’s Free Guy is yet another film whose release was delayed due to the COVID-19 pandemic — well over a year, in fact. Its star, Ryan Reynolds, has been [seemingly] ceaselessly been promoting the movie on social media since the first trailer was released.
Bo Burnham’s Inside — the comedy special he shot during quarantine, over about a year — is a difficult film to review, as it’s not so much a “film” as it is a reflection of the artist and a deeply personal piece. I’m reluctant to even classify it as a “comedy,” although it does have it share of laugh-out-loud moments.
Is In the Heights perfect? Probably not, but it’s the perfect summer movie. It’s a crowd-pleaser that’s actually very well-made and well-acted, featuring a diverse cast and characters. Sure, it’s probably a little long, but what else do you need for a summer movie?
The dark comedy I Care A Lot from writer-director J Blakeson is based in reality, and points viewers to the sad fact that people are often taking advantage of elderly individuals with no real heirs, by posing as their legal guardians. Blakeson’s film certainly takes things to the extreme, and is a pitch-black comedy with no truly likable characters.
Apparently, queer-centric films can be as disappointing as heterosexual ones. That said, I still appreciated The Prom’s message of love and acceptance; I just wish it’d been executed better.
Mads Mikkelsen has become a sort of international treasure, having starred in both Danish-centered films and others, including as villains in Doctor Strange and the NBC series Hannibal. He was excellent in The Hunt, released several years ago and nominated for the International Feature Film Oscar — formerly known as the Foreign Language Oscar — so it was great to see him once again in a juicy role that allows him to flex his acting muscles in a film that takes place in his native Denmark.
When I heard that there was going to be yet another adaptation of Jane Austen’s beloved Emma, I was skeptical and thought this remake was unnecessary (despite the recent success of the Little Women remake). I’d seen the ’90s version starring Gwyneth Paltrow, and believed it to be just fine, while not revelatory.
The White Tiger is sort of like the anti-Slumdog Millionaire, as I’ve heard other film critics call it. It’s also similar to the Oscar-winning Parasite, and aspires to reach the mastery of tone of Bong Joon Ho’s film but never quite gets there.
I’m thinking of ending things — and yes, it’s written this way, with no real capitalization — is a very difficult film to review. It’s one of those divisive movies that has devoted, passionate fans; those who detested it, for some reason or another; and those in-between, who feel as though it’s an expertly-made film featuring great performances that is too niche, too esoteric to be be praise-worthy.
This awards season has been thrown out of whack thanks to the pandemic, which caused many high-profile films to be delay their releases and/or to be released primarily (and, in some cases, solely) on streaming services/VOD. It’s easy to see that Mank, the latest film from David Fincher, the lauded director of The Social Network, Rooney Mara’s Girl With the Dragon Tattoo, etc.