I’m not sure if it would have made more sense for me to watch Hereditary before writer-director’s second [wide-release] film, Midsommar, released about a year apart. I did the opposite. And, if you’ve seen my review for Midsommar, you know that I appreciated Aster’s unique style and the strong performance from Florence Pugh, but I wasn’t too keen on the way things played out.
Review: Midsommar (2019)
The main reason I wanted to watch this film, which hadn’t piqued my interest upon its theatrical release, is because I loved Florence Pugh’s work in Little Women, and wanted to see another of her 2019 performances that critics had been praising. Pugh certainly did not disappoint in director Ari Aster’s follow-up to 2018’s excellent supernatural flick, Hereditary.