The English Patient is the kind of romantic, sweeping epic that, were it made by or starring anyone less talented than those involved in the film, would’ve come across as overly cliche and laughable, even when it’s not supposed to be funny. Fortunately, this multiple Oscar winner is excellently done, and can be considered to be deserving of its numerous awards.
Review: Always Be My Maybe (2019)
Always Be My Maybe may, in some respects, be considered a standard romantic comedy — especially with its numerous predictable elements and stereotypically terrible significant others — but it finds enough ways to keep the genre fresh and interesting without seeming to cater to anyone in particular.
Review: Portrait of a Lady on Fire (2019)
Sometimes it’s difficult to write a review for a movie that you believe to be absolutely perfect and the definition of pure cinema. It becomes less a review and more of a rave, although reviews in general run the gamut from rant to rave. Celine Sciamma’s masterpiece — a word I use very rarely — is one such film that deserves all the praise it has been given, and more.