Review: The Father (2020)

The Father is the last of this year’s Best Picture nominees that I’ve seen; unfortunately, it wasn’t released until last month, and only became available to rent until a couple weeks ago. You may wonder if it’s worth $20 to rent, and it certainly is, especially if you consider how much it would cost for 2+ people to go to the movies, get popcorn, etc. I watched it with my mom, and even though we had to pause multiple times — and watch over two days — I still found The Father to be an extremely effective, sympathetic, authentic portrait of living with dementia.

Reviewing the 2021 Oscar-Nominated Documentaries

When Oscar nominations were announced last week, the Documentary Feature category was among the most surprising; acclaimed docs like Dick Johnson Is Dead, All In, and Boys State were all shut out, in favor of five diverse films, ranging from terrific to a disappointing and ineffective. Here are my reviews of the nominees, in order from best to worst. 

2021 Oscar Predictions

I’ve used some fancy, schmancy math — based on nominees’ previous wins and total nominations thus far — as well as my knowledge of what the Academy tends to like, in order to predict the nominees. Hopefully, the nominees will be more diverse and representative of what America looks like now. 

Review: I Care A Lot (2021)

The dark comedy I Care A Lot from writer-director J Blakeson is based in reality, and points viewers to the sad fact that people are often taking advantage of elderly individuals with no real heirs, by posing as their legal guardians. Blakeson’s film certainly takes things to the extreme, and is a pitch-black comedy with no truly likable characters.