Review: I Care A Lot (2021)

The dark comedy I Care A Lot from writer-director J Blakeson is based in reality, and points viewers to the sad fact that people are often taking advantage of elderly individuals with no real heirs, by posing as their legal guardians. Blakeson’s film certainly takes things to the extreme, and is a pitch-black comedy with no truly likable characters.

Review: Another Round (2020)

Mads Mikkelsen has become a sort of international treasure, having starred in both Danish-centered films and others, including as villains in Doctor Strange and the NBC series Hannibal. He was excellent in The Hunt, released several years ago and nominated for the International Feature Film Oscar — formerly known as the Foreign Language Oscar — so it was great to see him once again in a juicy role that allows him to flex his acting muscles in a film that takes place in his native Denmark. 

Review: I’m Thinking of Ending Things (2020)

I’m thinking of ending things — and yes, it’s written this way, with no real capitalization — is a very difficult film to review. It’s one of those divisive movies that has devoted, passionate fans; those who detested it, for some reason or another; and those in-between, who feel as though it’s an expertly-made film featuring great performances that is too niche, too esoteric to be be praise-worthy.

Review: Mank (2020)

This awards season has been thrown out of whack thanks to the pandemic, which caused many high-profile films to be delay their releases and/or to be released primarily (and, in some cases, solely) on streaming services/VOD. It’s easy to see that Mank, the latest film from David Fincher, the lauded director of The Social Network, Rooney Mara’s Girl With the Dragon Tattoo, etc.

Review: Let Them All Talk (2020)

I was interested in seeing Steven Soderbergh’s latest, Let Them All Talk, and not just because it features three legendary actresses, but also because I’m a fan of some of Soderbergh’s previous work, such as Erin Brockovich. Also, I was curious to see how the cast handled the mostly-improvised script; screenwriter Deborah Eisenberg provided brief outlines and biographies for the actors, in addition to a few scripted scenes.