Review: Nomadland (2020)

Nomadland is currently the frontrunner for the Best Picture and Director Oscars (among others), and it’s easy to see why: it’s an extremely well-made contemplative film that probably isn’t for everyone due to its slow, introspective nature, but is popular among cinephiles like myself. The film is based on the book of the same name, written by Jessica Bruder (which I haven’t read, but now I want to).

Review: The Little Things (2021)

For a movie that features three Oscar-winning actors — Denzel Washington, Rami Malek, and Jared Leto — you’d expect a movie to have some substance, or to at least be far less boring and more interesting than the exceedingly dull and unoriginal The Little Things, recently released simultaneously in limited theatres and on HBO Max. Writer-director John Lee Hancock’s story not only takes place in the 1990s (which has no real effect on the story), but was supposedly written then, and doesn’t appeared to have been updated. I

Review: Another Round (2020)

Mads Mikkelsen has become a sort of international treasure, having starred in both Danish-centered films and others, including as villains in Doctor Strange and the NBC series Hannibal. He was excellent in The Hunt, released several years ago and nominated for the International Feature Film Oscar — formerly known as the Foreign Language Oscar — so it was great to see him once again in a juicy role that allows him to flex his acting muscles in a film that takes place in his native Denmark. 

Review: News of the World (2020)

With such talent behind and in front of a camera, you’d expect News of the World to have more of a lasting impact and to cause viewers to be invested in the story. That’s not to say that it’s completely devoid of talent and emotion; rather, with the one and only Tom Hanks as the lead, and acclaimed director Paul Greengrass (United 93) directing and co-writing the adaptation, you’d expect more.

Review: I’m Thinking of Ending Things (2020)

I’m thinking of ending things — and yes, it’s written this way, with no real capitalization — is a very difficult film to review. It’s one of those divisive movies that has devoted, passionate fans; those who detested it, for some reason or another; and those in-between, who feel as though it’s an expertly-made film featuring great performances that is too niche, too esoteric to be be praise-worthy.